Résumé de l'épisode
This episode was originally released on June 11, 2018. Her doctor categorized her as overweight when she was 5 years old. Her grandmother always introduced her as the “chubby one.” As an adult, she vacillates between moderation and binge-eating, restricting food some weeks, and gorging on cake and ice cream during others. “It’s only when my pants are nearly impossible to button that I force myself to lose weight,” writes the letter-writer who calls herself Body Negative. “And then the pattern starts all over again.” The sinister cycle of dieting and binge-eating plagues many American women. Recently, a counter-movement called Body Positive has sprung up. The movement promotes fat acceptance and attempts to reverse body-shaming, no matter one’s size. But Body Negative is skeptical, writing, “I struggle with how to be body positive after years of being told it’s wrong to be my size and weight. Is there such a thing as unconditional body acceptance?” Hilary Kinavey, M.S., L.P.C., and Dana Sturtevant, M.S.,…
This episode was originally released on June 11, 2018. Her doctor categorized her as overweight when she was 5 years old. Her grandmother always introduced her as the “chubby one.” As an adult, she vacillates between moderation and binge-eating, restricting food some weeks, and gorging on cake and ice cream during others. “It’s only when my pants are nearly impossible to button that I force myself to lose weight,” writes the letter-writer who calls herself Body Negative. “And then the pattern starts all over again.” The sinister cycle of dieting and binge-eating plagues many American women. Recently, a counter-movement called Body Positive has sprung up. The movement promotes fat acceptance and attempts to reverse body-shaming, no matter one’s size. But Body Negative is skeptical, writing, “I struggle with how to be body positive after years of being told it’s wrong to be my size and weight. Is there such a thing as unconditional body acceptance?” Hilary Kinavey, M.S., L.P.C., and Dana Sturtevant, M.S.,…
Épisodes
Rewind: Trust Your Body
ÉcoutéThis episode was originally released on June 11, 2018. Her doctor categorized her as overweight when she was 5 years old. Her grandmother always introduced her as the “chubby one.” As an adult, she vacillates between moderation and binge-eating, restricting food some weeks, and gorging on cake and ice cream during others. “It’s only when my pants are nearly impossible to button that I force myself to lose weight,” writes the letter-writer who calls herself Body Negative. “And then the pattern starts all over again.” The sinister cycle of dieting and binge-eating plagues many American women. Recently, a counter-movement called Body Positive has sprung up. The movement promotes fat acceptance and attempts to reverse body-shaming, no matter one’s size. But Body Negative is skeptical, writing, “I struggle with how to be body positive after years of being told it’s wrong to be my size and weight. Is there such a thing as unconditional body acceptance?” Hilary Kinavey, M.S., L.P.C., and Dana Sturtevant, M.S.,…
Redux: Emotional Labor, The Invisible Work (Most) Women Do
ÉcoutéThis episode was originally released on May 5, 2018. Remembering the grocery list, coordinating with the babysitter, making food for the potluck, scheduling a get-together with the in-laws: These are some of the invisible tasks that (most) women exclusively do in their romantic relationships — and the list goes on and on. Like a modern-day Greek chorus, women from across the country wrote in to the Dear Sugars inbox echoing identical inequalities in their relationships with their husbands and boyfriends. The Sugars commiserate with this aggrieved chorus along with Gemma Hartley, the writer who set off a national conversation about emotional labor with her viral article in Harper’s Bazaar, “Women Aren’t Nags — We’re Just Fed Up.” Broaching the subject of emotional labor with a romantic partner can be tricky, especially if he feels as if he’s being blamed for the imbalance of labor. The imbalance in Ms. Hartley’s marriage began righting itself when she and her husband shifted their perspective: “This is not a…
Rewind: The Stepchild's Dilemma
ÉcoutéWhether you’re 5, 15, or 50 years old, it can be difficult to usher a stepparent in and out of the family unit. In today’s episode, the Sugars answer letters from stepchildren who have fraught relationships with their stepparents. This episode was originally released on April 28th, 2018.
You Could Make This Beautiful: Henry Winkler & Saeed Jones
ÉcoutéIn this first episode of "You Could Make This Beautiful," actor Henry Winkler tells hosts Maggie Smith and Faith Salie about the poetry he's found in everything from fly fishing, to the music of Lin-Manuel Miranda, to the acting performances of the late Robin Williams. Poet and teacher Saeed Jones declares that "Nobody loves us the way poetry loves us," he reads us one of his poems, and he talks about the chemical reaction that poems set off in our brains and bodies. And Maggie and Faith offer a "poetry prescription" to a fan of theirs in Ohio who's seeking steadiness in her life. Show Notes (in chronological order): "I'm Nobody! Who are you?" by Emily Dickinson "Good Bones" by Maggie Smith "Parent Effectiveness Training" by Dr. Thomas Gordon Henry Winkler's "Launce and the dog" monologue from William Shakespeare's "Two Gentlemen of Verona" "My Shot" from the musical Hamilton Henry Winkler's novels with Lin Oliver "Alive at the End of the World" by Saeed Jones "Snow for Wallace Stevens" by Terence Hayes…
You Could Make This Beautiful: Peter Sagal & Stephanie Burt
ÉcoutéIn this second episode of You Could Make This Beautiful, hosts Maggie Smith and Faith Salie talk to Peter Sagal, host of the NPR news quiz show Wait Wait... Don't Tell Me! about a prophetic reading at his first wedding, the poem that has haunted him throughout his life, and about the poetry he's found in the kindness and grace of his children. They also hear from poet and Harvard professor Stephanie Burt about how she found her way to poetry by way of science fiction, and how she's used the work of Taylor Swift to introduce her students to poets of centuries past like Alexander Pope. Show Notes (in chronological order): Maggie Smith on Wait Wait... Don't Tell Me! Cartoonist Tom Tomorrow "Aedh Wishes for the Cloths of Heaven" by W. B. Yeats "Ithaka" by C. P. Cavafy "The Illusion" by Tony Kushner "Most Like an Arch This Marriage" by John Ciardi Adrienne Rich's poems are "like dreams" quote Poet William Corbett "The Postmoderns: The New American Poetry Revised" by Donald M. Allen "The Crystal Lithium" by James…